Blog

Tiger Woods Breaks Down His Iron Game – Use These Tips

Published

4 years ago

December 12, 2021

My swing and my game have evolved over the years, but one thing has remained consistent: I’m always confident with an iron in my hand.

I’m not one of the longest hitters on tour anymore—I can’t hit a wedge 150-plus yards like some guys do—so my iron game is absolutely critical to my success at this stage. It sounds simple, but the best way to make birdies is to hit your approaches close. To do that, you need to have distance control, which is possible only with consistent contact. For example, I hit my irons so pure last year at Augusta, and because of that, I had a ton of good looks at birdie. Two specific shots from Sunday’s final round come to mind: On 7, when I needed a birdie to jump-start the round, I hit my trusted low, trapping fade to tap-in range. Then on 16, I hit a high-draw 8-iron that plopped down in the perfect spot, took the slope and finished about three feet from the cup. That birdie gave me a two-shot lead and firm control of the tournament.

Note that one of those shots was a low fade and the other a high draw. I’ve always taken pride in my ability to vary trajectory and shape the ball both ways. Very few of my iron shots look exactly the same. Still, there are a few basics I try to apply to every iron shot, and they’re principles you can use for your game.

The first thing I do is take a good look at the lie. Is it anything out of the ordinary? Is it above or below my feet?

Is it in a divot? If it’s in the rough, is it a flyer?

Once I assess the lie, I shift my focus to the green complex. I like to let the course dictate what type of shot I’m trying to hit. Where is the exact spot I want the ball to land? Generally, I tend to hit more draws to left pins and fades to right pins, but there are exceptions. For example, sometimes it’s more important to have the ball working away from a hazard than toward the flag. Amateurs don’t think enough about things like that before they start their pre-shot routine.

As far as my setup, because of all my back issues, I’ve tried to avoid side bend in my swing, and that all starts with how I stand to the ball. I like to find a balanced and athletic posture that’s free of any tension in my arms or shoulders.

A good thought for me, and one that should help you make solid contact, is to keep your shoulders, hips and knees stacked on the same vertical plane throughout the motion. My baseline is to be as neutral as possible at address, with everything square to the target—then I’ll make adjustments to my stance and clubface for a draw or a fade, or for a low shot or a high shot.

I play the ball a bit farther forward in my stance than the average tour pro—it’s just my preference—and as a result I tend to sweep my irons more than dig. I’ll move the ball one ball forward in my stance if I’m trying to hoist one up, and I’ll play one ball back of normal if I’m trying to flight it down.

J.D. Cuban

When I swing, my thoughts are pretty simple and more feel-oriented than technical. I don’t watch my swing on video too often. I prefer to feel things with my hands, then confirm with my buddy Rob McNamara that he sees what I’m feeling.

My backswing has changed quite a bit throughout the years. I used to load up much more on my right side and try to create as much width as possible. As a result, my weight would move to my right leg, and my head would slide laterally away from the target. That’s how a young man swings the club. Now, to put less strain on my body, I try to keep my head and chest more stable and turn more around my right side.

To a large extent, my backswing is a function of my setup. At certain times in my career, I’ve had my hands lower or higher at address. For me, lower hands resulted in an earlier wrist set, and higher hands resulted in a later one. Now I feel like I’m quite neutral with my setup, which leads to a wrist set that happens around rib height.

Once I’ve completed my backswing—which almost always stops short of parallel because I’m concerned with hitting the ball the right distance, not the farthest distance—my main thought is to push down into the ground and clear my hips. That’s one reason my latest knee scope was so important. Toward the end of the summer, pain in my left knee prevented me from pushing hard. I was sliding a bit, which made it nearly impossible to get the hip rotation I needed to hit my cut. My other thought is to not let my hands get stuck behind me, which leads to having to save the swing and manipulate the face with my hands—that’s no good. The best way to avoid getting stuck is to not let the lower body out-race the hands on the downswing. My thought is to have everything synced when I reach impact.

J.D. Cuban

I like to think that my follow-through determines how high the ball is going to launch. In reality, my follow-through is a result of my angle of attack. When I’m steeper and trying to flight it down, I feel like I cut off the swing shortly after impact. If I shallow it out to launch the ball really high, I throw my hands way up over my head and let them finish over my left shoulder.

Again, I’m a shotmaker at heart, and one of my favorite parts of playing golf is carving iron shots. I wouldn’t recommend amateurs try to work it as much as I do, but the basics I’ve laid out here will help you make better contact, which will allow you to hit the ball the right distance—and hopefully give yourself some tap-in birdies like I had at last year’s Masters. –with Daniel Rapaport

This article originally appeared on Golf Digest.

Related Topics:equipment Swing Tip Tiger Woods

Up Next

What the Pros Are Doing That You’re Not

Don't Miss

5 of the BEST (OR Worst) Golf Stocking Stuffers in History…You Decide

The BLOG MAN

Blog

One of the Greatest Putts in U.S. Open History?

JJ Spaun’s 64-Foot Walk-Off

Published

1 week ago

June 16, 2025

James Fairway

When JJ Spaun stood over a 64-foot birdie putt on the 72nd hole of the 2025 U.S. Open at Oakmont, few could have predicted what would come next. The ball meandered across the slick green, trickling over every contour, picking up speed at the crest, and then—like it had GPS—dropped center cup. Spaun dropped his putter, raised his arms, and the crowd erupted. With that single stroke, he claimed his first major title in one of the most dramatic finishes in U.S. Open history.

But how does Spaun’s putt stack up against other legendary finishes in the tournament’s storied past? Let’s break down some of the most iconic moments and see where this one lands.

1. Payne Stewart – 1999 U.S. Open at Pinehurst

Perhaps the most iconic putt in U.S. Open history came from Payne Stewart, who nailed a 15-footer for par on the 18th to win by one over Phil Mickelson. The pose—fist pump and outstretched leg—has since been immortalized in a statue at Pinehurst. What made it legendary wasn’t just the putt—it was the context: Stewart’s final major before his tragic death just months later.

Verdict: Iconic and emotional. Spaun’s putt was longer, but Stewart’s was more poetic.

2. Tiger Woods – 2008 U.S. Open at Torrey Pines

Woods drained a 12-foot birdie on the 72nd hole to force a playoff with Rocco Mediate—while basically playing on one leg. That tournament went to sudden death after an 18-hole playoff, and Tiger prevailed. This was peak Tiger drama, pain and all.

Verdict: Spaun’s putt was longer, but Tiger’s win was sheer willpower and mystique.

3. Jack Nicklaus – 1972 U.S. Open at Pebble Beach

With a 1-iron shot that hit the flagstick on 17 and a crucial birdie putt on 18, Jack sealed a dominant win. His precision and timing under pressure showed why he’s the GOAT.

Verdict: Not a putt for the win, but a signature finishing statement from Jack. Spaun’s was more electric in terms of pure putter drama.

4. Ben Hogan – 1950 U.S. Open at Merion

Hogan’s 1-iron into the 18th fairway and the par to force a playoff—just 16 months after a near-fatal car crash—remain legendary. He won the playoff and completed one of golf’s great comeback stories.

Verdict: Larger-than-life comeback. Spaun’s putt had more flair, but Hogan’s win was heroic.

5. JJ Spaun – 2025 U.S. Open at Oakmont

Let’s not underestimate what Spaun accomplished. The pressure was immense. He wasn’t the favorite. And on the most treacherous greens in golf, he buried a 64-foot bomb—a putt most players would be happy to lag to within 5 feet—to win the U.S. Open outright.

Verdict: For distance, surprise, and drama, Spaun’s putt may be the most shocking winning stroke in U.S. Open history.

Final Thoughts

JJ Spaun may not have the résumé of a Nicklaus or Woods, but for one Sunday afternoon in June 2025, he created a moment that will live in golf lore forever. Spaun’s putt was longer than Stewart’s, more unexpected than Tiger’s, and more dramatic than any final-hole finish in recent memory.

In terms of pure clutch putting? It might just be the greatest walk-off in U.S. Open history.

Blog

The Zen of the Shank: Finding Inner Peace in Your Worst Shots

Find your inner peace even when you aren’t playing well.

Published

1 week ago

June 16, 2025

Ty Webb

Ah, the shank. That glorious, unpredictable misfire that sends your pristine golf ball screaming sideways, often directly into the unsuspecting shins of your playing partner, or perhaps, with a touch of poetic irony, into the very lake you’ve been trying to avoid all day. Most golfers, bless their earnest little hearts, view the shank as a catastrophic failure, a blight upon their scorecard, a testament to their inherent lack of coordination. They curse, they throw clubs, they contemplate a career in competitive thumb-wrestling. But not I. No, my friends, for I, Ty Webb, have found enlightenment in the humble shank.

You see, the shank is not a mistake; it’s a revelation. It’s the universe’s way of reminding you that control is an illusion, that perfection is a myth, and that sometimes, the most direct path to your goal is, in fact, a wildly indirect one. Think of it as a philosophical detour, a sudden, unexpected journey into the unknown. One moment, you’re aiming for the green, a paragon of precision and intent. The next, your ball is ricocheting off a tree, narrowly missing a squirrel, and landing, by some divine comedic intervention, closer to the hole than your perfectly struck drive ever would have. Is that not a miracle? Is that not a sign that the golf gods, much like life itself, have a wicked sense of humor?

The key, my dear apprentices of the links, is acceptance. Embrace the shank. Welcome it with open arms, like a long-lost, slightly inebriated relative. When that familiar, sickening thwack echoes through the air, do not despair. Instead, take a deep breath. Close your eyes. Feel the gentle breeze on your face. And then, with a knowing smile, open them and observe the chaos you have wrought. Is it not beautiful in its own chaotic way? Is there not a certain freedom in relinquishing control, in allowing the ball to choose its own destiny, however bizarre that destiny may be?

Some say the shank is a sign of poor technique. I say it’s a sign of a vibrant, untamed spirit. A golfer who never shanks is a golfer who has never truly lived, never truly explored the outer limits of their own golfing absurdity. They are content with mediocrity, with predictable trajectories and mundane outcomes. But you, my enlightened few, you understand that the true joy of golf lies not in the score, but in the story. And what a story a good shank can tell.

So, the next time you feel that familiar tremor of a shank brewing, don’t fight it. Let it flow. Let it be. For in the heart of every shank lies a lesson, a laugh, and perhaps, just perhaps, a path to a lower score you never saw coming. After all, as the great philosopher Basho once said, “A flute with no holes, is not a flute. A donut with no hole, is a Danish.” And a golf game without a shank? Well, that’s just not golf, is it?